David Zwirner is pleased to present an exhibition of works by Donald Judd drawn from the artist’s seminal 1989 exhibition held at the Staatliche Kunsthalle Baden-Baden, Germany. Brought together from international public and private collections, this will be the first time these particular works have been exhibited together in a group of this size since Judd’s 1989 installation. See more;
"One of the most significant American artists of the post-war period, Donald Judd’s oeuvre has come to define what has been referred to as Minimalist art—a label the artist strongly objected to. The unaffected, straightforward quality of Judd’s work demonstrates his strong interest in color, form, material, and space. With the intention of creating work that could assume a direct material and physical ‘presence’ without recourse to grand philosophical statements, Judd eschewed the classical ideals of representational sculpture to create a rigorous visual vocabulary that sought clear and definite objects as its primary mode of articulation.
Consisting of twelve identically scaled anodized aluminum works, the historic exhibition at the Kunsthalle Baden-Baden was significant in that it marked the first time Judd used colored anodized aluminum in such a large, floor-mounted format. Although he had previously examined the qualities of an open box form, the works created for Baden-Baden display a distinct systematic approach in determining the interior space of each box, which Judd divided vertically in different spatial configurations, sometimes introducing color through the use of anodized elements or sheets of Plexiglas in blue, black, or amber. The combinations of materials, dividers, and colors—which differ from box to box—thus determine the singular nature of each work within a finite number of variable possibilities; each of the boxes being an individual work that represents one possibility out of the given parameters." - David Zwirner, (press release here)
via | minimal exposition